SYSTEMS


What makes our systems unique are the ways we configure our cameras to quickly adapt from a traditional handheld setup into a highly versatile gimbal. Our customized gimbals support the heaviest lenses, FIZ control, wireless video and other accessories like matte boxes, cine tapes or rain deflectors. Once the camera package is in the gimbal we can move between system to system within seconds. Previously a camera re-build could take nearly 30 minutes or more of highly valuable time. The added cost of additional camera bodies also add up. Our concept: build it once and done! This not only speeds up workflow and efficiency but it also allows for more creative content captured. All Drone Dudes operators are highly skilled and certified across each system so we are most effective on set.

 

ANTIGRAVITY CAM

The evolution of the steadicam. Want a crane shot without the hassle and setup time? This operator-mounted rig can take your shot from ten feet high to inches off the ground in fully stabilized moves.

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ALTA 8

Top mount the camera on this heavy-lifter for a unique upwards angle, or swap to the bottom for traditional looks. Either way, this easy-to-travel system is a tried and true industry workhorse.

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PHANTOM 4 PRO

Professional cinematography in a compact package, with intelligent flight modes, 4K video and 20MP raw stills. This tried and true drone is a quick and reliable option.

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CLOUD MOUNT

Mount a gimbal to any metal surface using the Cloud Mount’s scratchless rubber coated magnets that can carry a payload weight of up to 65 lbs. Perfect for those fast setup car shots.

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MINI CINE CAMERA CAR

This camera car comes equipped with a Black Arm stabilizer that can be mounted from the front or back and supports all major cinema packages, putting major production value into a small package.

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TERO RC CAMERA CAR

Freedom to roam is what this little camera car is all about. No need for dolly tracks or a large crew to execute complex low angle moves. A robust terrestrial drone that can move up to 25 miles per hour.

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Heavy Lift Drone Aerial Cinematography Specialist Cinema Camera Pilots ARRI Alexa Mini DJI Inspire 2 Phantom 4 Pro Los Angeles Atlanta

ALEXA MINI

The ARRI Alexa Mini is light and highly versatile. The carbon design is most ideal for gimbals. With the most advanced color science in the industry the mini is a go to choice.

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RONIN 2

This gimbal is a solid solution for both car and aerial shots. With extra large motors and the ability to use it in a variety of configurations, the R2 is robust and ready to take a stand on your project.

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DELTA 6

Our heavy lifter can carry payloads of 45 pounds for up to 20 minutes and flies over 45 mph. What this means for production: more time in the air with heavier payloads, operating at higher elevations. 

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Heavy Lift Drone Aerial Cinematography Specialist Cinema Camera Pilots ARRI Alexa Mini DJI Inspire 2 Los Angeles Atlanta

INSPIRE 2

With a wide range of technology packed into a small form factor, the Inspire 2 is a hard system to beat. Interchangeable lenses and a Super 35mm sensor make this an ideal tool for any filmmaker.

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MAVIC 2

Zip around tight spaces with the Mavic 2, a drone that balances power, portability, and professional-quality visuals with the inclusion of a 20MP Hasselblad gimbal camera.

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MOVI PRO

The original aerial gimbal now has a new update which allows for incredible roll shots as well as strong whip pans. This is a industry standard and our go to gimbal for air or ground operations.

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